HAPPY. It was a monumental birthday, the Kelly Strayhorn Theater’s 100th, and KST sponsored a cocktail party by some of the singular individuals who helped to make it the adventurous arts establishment and community center that it is today. Along with board chair Cabot Earle and executive director janera solomon, they all paid tribute to a theater that has seen a lot of changes in East Liberty. Honorees included Mayor Bill Peduto, Stephanie Flom, David Nash and Janet Sarbaugh.
KIMONO. No longer are choreographers closeted away in a rehearsal studio until the day of a dance premiere.They are sharing more and more, opening their works-in-progress to input, not always from friends and family, but from eager audience members. Mark Thompson was the latest example in his work-in-progress, Kimono, at The Alloy Studios. (He has plans to present the final version next spring.) However, there was much to see and say about the production, technically in its infancy. Schooled in ballet, Mark is best known as a mime. However, Kimono showed a transition, moving the mime into more of a movement phase. Along with Anna Thompson and Taylor Knight, he traced parallel threads involving an artist who must overcome the encroachment of the world around him, filtered through a French and Japanese backdrop. The movement itself was spellbinding, although at this point, the dramatic continuity could be tightened.
FLYING. Shana Simmons Dance knows how to throw a party as well. The company recently held a fundraiser for its upcoming November production, Passenger, at the Aviary. Called Freak in Feathers, the company gave a sneak peek in the intimate confines of Wigle Whiskey in the Strip District (loved the fake white eyelashes!). Chef Eric (Shana’s talented fiance from Bonnie & Clyde’s restaurant in Wexford — they will be married in the spring) and Chef Kayla served up chicken with white truffle sauce and roasted garlic mussels. Delish(!) — along with yummy appetizers and dessert framing them. In keeping with the feather theme (some attendees were dotted with them), the company projected Alfred Hitchcock’s The Birds on a wall, with Point Park live and suitably dramatic piano accompaniment.