“I wanted to create a piece that would behave like quantum physics,” said Pearlann Porter of her latest Pillow Project event, titled “Micrography,” and set to unfold in bite-sized pieces at The Space Upstairs.
That means that she will be addressing some new dance properties, like existing in two places at once. Or chaos. Randomness. “There’s no order; there’s no predictability,” she mused. “How can you make a piece that can’t be determined or predicted? It’s very difficult.”
The process began with a crash course in quantum physics, the study of the fundamental properties of matter-like substances, at Carnegie Mellon University. There three dancers sat across the table from scientists like Dr. George Klein and tried to find a middle ground.
Once they got past daunting topics concerning forces and fields, the scientists writing furiously on chalkboards and the dancers responding with their notebooks, Pearlann found a commonality. “Dance is abstract movement — it’s all we do,” she said. “And it’s actually quite easy to do movement on a small scale.”
Maybe for Pearlann, who could be considered quite diminutive herself, despite a larger-than-life personality. But she’s thinking of vibrations that cannot easily be seen or determined. Or a flail. Or a muscle twitch that’s more random and spastic. “It’s actually a place to go — it makes sense for us.”
But will the audience get it?
“If you wanted to view it from that scientific place, then you could see what we’re trying to go for,” Pearlann explained. “But if you were not a fan of science, you could still view it as this very interesting, unexpected movement.”
Her reasoning is “since we view it from a scientific place, it’s automatically going to create original movement. While it definitely has this science spin to it, it will test your idea of how small you can get in scope. Sound-wise. Movement-wise.”
“We try to play around with the idea of small and not just be small.”