On Stage: Marjani Forte

23FORTE-articleLargeThis was a program with a heavy-duty sense of purpose. Addiction. Poverty. Mental illness. But in the hands of Marjani Forte, being Here… /this time was woven together like a feather-light pashmina. It’s something that we don’t find much in American choreography, which likes to be direct, almost obvious in its intention. Here there was almost a sense of beauty about this project, despite the subject matter.

It induced a sense of respect for those suffering.

 

Audience members had the chance to see the work from beginning to end from three different perspectives. Chairs divided The Alloy’s spacious studio. My favorite was the first, where the seating backed against Everett Saunders’ 3-D audio installation, allowing for the widest physical perspective. Viewers wore a headset in this section, making for a spellbinding sensory experience. There was text: “It’s okay. You’re okay.” Laughter (a monkey/baboon?). Mixed with piano. It had the ability to subtly grab the attention, but not away from the three dancers who moved about the room. (And something I’ve never encountered.)

For the second installment, I headed to the foyer, where Marjani herself had set up shop (actually a chair) on top of a bench in a very confining space. The musical accompaniment came from (probably) her iPod and a ghostly slide played next to her on a loop. This was the most difficult segment to watch. “I had some weary days.” “I had hills to climb…” She grabbed her mouth. Her body shook. She was physically bound and emotionally bound to the material. And there was nowhere to escape for those of us who gathered around her, even mentally.

I watched the final segment from the diagonal slice of chairs that cut the studio in half. This put the emphasis on partially-bound wheelchair dancer Alice Sheppard and the luminous Jasmine Hearn. They were performing again, but I had a partial view before. This time it heightened the dramatic impact as we wove through the laughter, through stoicism and ultimately through strength.

One of the best programs of the dance season.

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