A Wilde Award. Former Pittsburgh artistic director Patricia Wilde added yet another award to her treasure chest. She was honored by the National Museum of Dance in Saratoga, New York, along with famed tap dancer Gregory Hines, whose award was accepted by tapper extraordinaire Savion Glover, who was mentored by Hines. She was surrounded by her family, including children Anya Davis and Yuri Bardyguine, plus a sizable contingent who worked with her at PBT, including Terrence Orr, Harris Ferris, Janet Campbell with David and Roberto Munoz.
Fresh Addition. He has popped up in performances with Attack Theatre ever since he and husband Rubén Garcia, head of the dance department at Point Park University, moved to Pittsburgh two or so years ago. Dance Europe Magazine selected him as one of the “Top 100 Dancers in World” for 2010/2011 and he is a former dancer with Lucinda Childs. But he gave Pittsburgh a sweet surprise this spring at the Kelly Strayhorn Theater, simply titled Matt Pardo: An Evening of New Works. It was actually the culmination of a Master’s of Fine Arts Degree at the University of Wisconsin-Milwaukee and showcased a subtle blend of jazz, which had a certain weight, and contemporary dance, which gave it a liquidity. That clarity and balance in Pardo’s choreography were easiest to see in Matt’s solo and another for Point Park dancer, the talented Justus Whitfield. There were two group dances for Point Park College dancers which further demonstrated a transparency in thought and execution to be found in Pardo’s style. Most exciting, though, was a trio he created with Childs dancers Caitlin Scranton and Sharon Milanese, beautifully interacting in various formations. It was a preview, though, because Pardo and Scranton have designs on establishing a professional company in Pittsburgh.
The Brazzies. The latest edition of the Brazzy Awards, named after former ballerina and inspirational teacher Leslie Anderson Braswell went to two veterans of the local dance scene. Congratulations to Beth Corning, who always offers deep, thoughtful performances for dancers over 50 (!), this time taking on avant-garde writer Samuel Beckett in Beckett and Beyond, and Christopher Budzynski, principal dancer with Pittsburgh Ballet Theatre, who has contributed so much to an array of leading roles, including Swan Lake, Don Quixote and Le Corsaire.
Fresh Choreography. This is the must-see project developed at PearlArts Studios. Take a choreographer, give him or her the opportunity to develop work and present it in a atmosphere, complete with expert feedback (in this instance dance artists Mark Taylor — who seamlessly coordinates things — Michele de la Reza, Jasmine Hearn and visual artist Maritza Mosquera). Do yourself a favor and take in the soft glow of changing light at the Studios, complete with intelligent, nurturing conversation and support for the likes of Jean Paul Weaver, Ella Moriah Mason and Slowdanger duo Anna Thompson and Taylor Knight.
Real Attack. One of my favorite activities, rain or shine. No real dance, just connecting with real dancers (and friends) who proclaim “We’re On a Boat.” The Attackers had a real presence this year, with co-founders Michele de la Reza and Peter Kope, of course, the inimitable executive director Rebecca Himberger, Dane Toney, Ashley Williams, all at Lock Wall One Marina at 23rd Street in the Strip District